La última película

dir. Raya Martin, Mark Peranson

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A renowned american director travels to Yucatán in order to search for new locations for his latest movie. The mayan apocalipsis interces. With the colaboration of director, actor, and screenwriter, Alex Ross Perry as the captain of the crazy milenarista's ship, La última película is a sort of skeptical, anticultural, and manifesto about a cinema as an activity that builds and breaks and that, in any case, transgresses the traditional boundaries.

A Cinema Scope production, in association with Canana Films, Cinematografica, Faliro House, Fischer Film, DOX:LAB Director / Raya Martin, Mark Peranson Cast / Alex Ross Perry, Gabino Rodríguez, Iazua Larios, con la amable participación de René Redzepi Screenplay / Mark Peranson, Raya Martin Additional Dialogs / Alex Ross Perry, Gabino Rodríguez Producer / Mark Peranson Executive Producer / Christos V. Konstantakopoulos Co-producers / Pablo Cruz, Tine Fischer, Raya Martin Associated Producers / Michel Lipkes, Cecile Waitz Søborg Cinematography / Gym Lumbera Camera assitant / Francisco Ohem Camera operators / Raya Martin, Mark Peranson, Alex Ross Perry, John Bruce, Margarita Jimeno, Véréna Paravel Editors / Lawrence S. Ang, Mark Peranson Sound / Aldonza Contreras Sound Design and Mix / Corinne de San Jose Production Design / Paloma Camarena Filmed at location in Yucatán, México and Copenhagen, Dinamarca - December 2012. Filmed with Kodak material and recorded in other digital media.

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Ficción, 88 min.

Raya Martin

Manila, 1984. Director and writer. He has made several shorfilms and feature films. Now Showing is a five hour film which was premiered at The Director's Fortnight in Cannes in 2008. His previous films, Independence and Manila, were exibited at Cannes 2009. The Great Cinema Party was part the Jeonju Digital Project comision in 2012. Martin's previous films, Buenas Noches, España (2011) were premiered at the Lorcano Festival were he was also part of the international competence jury. There have been many restrospectives made about his work at the Kassel, New York, Paris, Buenos Aires, Mexico City, and Seoul Documenta. Martin is the holder of the Thirteen Artirst Award - Cultural Center of the Philippines.

Mark Peranson

Writer, film programer and filmmaker. Peranson is the editor of the magazine Cinema Scope since 2013. Since 2013 he has been the programing director for the Lorcano Festical, after having been part of the selection comitee from 2010 to 2012. He is also asociate programer for the Vancouver Film Festival since 2000. His debut fil, Waiting for Sancho (2008), was shown at more than twenty-five festivals worldwide. He starred as Jose in the movie El cant dels ocells (2008). His texts have been published in several countries and in publications such as The Village Voice, Cahiers du Cinéma, Sight and Sound, The Globe and Mail and Film Comment.


Raya Martin
  • La última película (2013)
  • How to Disappear Completely (2013)
  • The Great Cinema Party (2012)
  • Buenas noches, España (2011)
  • Independencia (2009)
  • Manila (2009)
  • Next Attraction (2008)
  • Now Showing (2008)
  • Possible Lovers (2008)
  • Autohystoria (2007)
  • A Short Film About the Indio Nacional (2005)
  • The Island at the End of the World (2005)
Mark Peranson
  • La última película (2013)
  • Waiting for Sancho (2008)

Festivales y Premios

  • Premio Riviera Lab
    Riviera Maya Film Festival 2013
    Work in Progress
  • Premio Kodak
    Riviera Maya Film Festival 2013
    Work in Progress
  • Toronto International Film Festival 2013
    World Premier
  • Vancouver International Film Festival 2013
  • Vienna International Film Festival 2013
  • CPH:DOX Copenhagen 2013
  • Torino Film Festival 2013
  • Berlin International Film Festival 2014
  • Portland International Film Festival 2014
  • Festival Internacional de Cine UNAM 2014
  • Cinéma du Réel 2014
  • Riviera Maya Film Festival – Panorama Autoral 2014


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«Con el director, actor y guionista Alex Ross Perry como conductor de esta nave de los locos milenarista, insólita y paródica, La última película es una suerte de manifiesto descreído, anticultural, divertido y ácido sobre el cine como actividad que se desinstala y se desintegra, y en cualquier caso sale de cauce de los marcos tradicionales».
– Kekena Corvalán:Leedor

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