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We Are The Best!

dir. Lukas Moodysson



Ficción, 102 min.
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Sinopsis

Stockholm, 1983. Bobo, Klara and Hedvig are three thirteen year old gilr who spend their days walking through the city, the school and their houses. Some think of them as weirdos, but their are just being loyal to their ideals. They want to be the leaders of their own destiny, starting from a young age, so they decide to star a punk band, without even having access to instruments. And, of course, they do not care the wordl says punks's dead.

Director / Lukas Moodysson Screenplay / Lukas Moodysson, inspirada en la novela gráfica de Coco Moodysson Producer / Lars Jönsson Executive Production / Memfis Film AB Cinematography / Ulf Brantâs Editing / Michal Lesczczylowski Production Design / Paola Hölmer Sound Editor / Hans Möller Cast / Mira Barkhammar, Mira Grosin, Liv Lemoyne, Anna Rydgren, David Dencik

Lukas Moodysson

Malmö, 1969. Screenwriter, director and writer. He made his breakthrough as a poet in 1980 , but becae famous in 1988 with his debut feature film as a director, Show Me Love. He grew up as an outcast. At tweenty-three he had already written five poetry colections and a novel. After havind studied at the only film school in Sweden, Dramatiska Institutetm, he directed three short films before moving onto feature films. His next work, Together, showed the life of a comune living in the Stockolhom suburbs during the seventies. After the success of two of his optimistical and luminous films, Moodysson filmed the brutal Lyla Forever in 2002. He has said that it this movie could not have been thought if it was not for his h2 cristian believes and the frecuent fantasies the protagonist has constitute the enlightening moments the director had in an oscure world. A Hole in My Heart , his most recent film, is more experimental than his narrative work, and it is said to be designed like such to shock the audience. Moodysson is a socialist, vegetarian and is deeply spiritual, aspects that have been gradually hightened in his work.

Filmografia

  • 2013  — ¡Somos lo mejor!
  • 2009  — Mammoth
  • 2006  — Container
  • 2004  — A Hole in My Heart
  • 2003  — Terrorists: The Kids They Sentenced
  • 2002  — Lilya 4-Ever
  • 2000  — Together
  • 1998  — Show Me Love
  • 1997  — Talk (Cortometraje)
  • 1996  — En uppgörelse i den undre världen (Cortometraje)
  • 1995  — Det var en mörk och stormig natt (Cortometraje)


Festivales y Premios

  • 2013 Festival Internacional de Cine de Cork
  • 2013 Festival Internacional de Cine de Toronto
  • 2013 Festival Internacinal de Cine de Río de Janeiro
  • 2013 VIENNALE
  • 2013 Festival Internacional de Cine de Tokio: Tokio Grand Prix
  • 2013 Festival de Cine Tallinn Black Nights
  • 2013 Festival Internacional de Cine de Reykjavik: Premio RIFF de la audiencia
  • 2013 Festival de Cine de Filadelfia: Premio a mejor orquesta
  • 2014 Festival de Cine de Gotemburgo: Premio Lorens
  • 2014 Festival de Cine de Sarasota
  • 2014 Festival Internacional de Cine de Zlín para la Niñez y la Juventud
  • 2014 Festival Internacional de Cine de Seattle
  • 2014 Festival Internacional de Cine de Miami
  • Central Ohio Film Critics Association: Premio COFCA a Mejor película en idioma extranjero
  • Chlotrudis Awards: Premio Chlotrudis a Mejor guión adaptado
  • Guldbagge Awards: Premio Guldbagge a Mejor maquillaje y Mejor escenografía
  • National Board of Review
    USA: Premio NBR a Top 5 Mejores películas en idioma extranjero
  • Online Film Critics Society Awards: Premio OFCS a Mejor lanzamiento extranjero
  • Women Film Critics Circle Awards : Premio WFCC a Mejor actriz

Notas

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«Existen infinidad de largometrajes que se centran en adolescentes confundidos, incapaces de encontrar su lugar en una sociedad especializada en rechazar a todos aquellos que son diferentes. Sin embargo pocos son tan fascinantes como ¡Somos lo mejor! de Lukas Moodysson, quien hace a un lado todos los clichés en esta clase de historias, para ofrecer una película cautivadora por su simpatía y honestidad».
– Luis Miguel Cruz: Cine PREMIERE

La generosa y aguda anatmonía de la contracultura de Suecia de los 70’s se siente como una pieza de período nostálgica en vez de una postal de un tiempo que a penas ha pasado».
– A.O Scott: The New York Times

«Moodysson nos regala actuaciones atractivas y llenas de espíritu por parte de sus jóvenes actrices y su estilo de dirección, el cual incluye mucho de su rodaje en estilo cámara en mano y el zoom en close-up de las protagonistas, presenta un aire de intimidad e improvisación».
– Godfrey Cheshire: Roger Ebert

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