Sinopsis
The last survivors of a dangerous mission in the depths of space are Monte (Robert Pattinson) who is accompanied by his young daughter. The crew of convicts, which is led by the sinister Dr. Dibs (Juliette Binoche), has gone missing. As the mistery about what really happened is unraveled, father and daughter will have to trust eachother in order to survive as they sink into the void.
Director / Claire Denis
Screenplay / Claire Denis, Jean-Pol Fargeau, Geoff Cox
Production / Andrew Lauren, D.J. Gugenheim, Laurence Clerc, Oliver Dungey, Christoph Friedel, Claudia Steffen, Olivier Théry-Lapiney
Cast / Robert Pattinsonm Juliette Binoche, André Benjamin, Mia Goth, Agata Busek, Lars Eidinger
Cinematography / Yorick Le Saux
Editing / Andreas Hilderbrandt, Olivier Do Huu
Sound / Guy Lecorne
France, Germany, Poland, United Kingdom, United States. 2018
Ciencia ficción, 113 min.
Claire Denis
Paris, 1946-48. Director and screenwriter. Denis studied economy, but abandoned the degree soon after. She then studied at IDHEC, the french school of film. After graduating, she worked as the asistan of Jacques Rivette, Costa-Gravas, Jim Jarmusch, and Wim Wenders. Since 2002, Denis is profesor at The Europeand Grad School in Saas-Fee, Switzerland. Her debut feature film was with Chocolat (1988). A semi-autobiographical meditation about african colonialism, which was greatly acclaimed. With her movies, such as US Go Home (1994), Nénette et Boni (1996), Beau travail (1999), Trouble Every Day (2001) and Vendredi soir (2002), she established her reputation as a filmmaker that has been able to "concile the french cinema lyricism with the impulse to capture the ever so often rigid face of the contemporary France."Claire Denis
Paris, 1946-48. Director and screenwriter. Denis studied economy, but abandoned the degree soon after. She then studied at IDHEC, the french school of film. After graduating, she worked as the asistan of Jacques Rivette, Costa-Gravas, Jim Jarmusch, and Wim Wenders. Since 2002, Denis is profesor at The Europeand Grad School in Saas-Fee, Switzerland. Her debut feature film was with Chocolat (1988). A semi-autobiographical meditation about african colonialism, which was greatly acclaimed. With her movies, such as US Go Home (1994), Nénette et Boni (1996), Beau travail (1999), Trouble Every Day (2001) and Vendredi soir (2002), she established her reputation as a filmmaker that has been able to "concile the french cinema lyricism with the impulse to capture the ever so often rigid face of the contemporary France."
Filmografia
- 2018 — High Life
- 2017 — Let the Sunshine In
- 2015 — The Breidjing Camp (TV Movie documentary)
- 2014 — III Contact (Cortometraje)
- 2014 — Voilà l'enchaînement (Cortometraje)
- 2013 — Venice 70: Future Reloaded
- 2013 — Los canallas
- 2011 — To the Devil (Cortometraje)
- 2009 — White Material
- 2008 — 35 Shots of Rum
- 2005 — Toward Mathilde
- 2004 — The Intruder
- 2002 — Ten Minutes Older: The Cello (segment "Vers Nancy")
- 2002 — Friday Night
- 2001 — Sangre caníbal
- 1999 — Beau travail
- 1996 — Nenette and Boni
- 1995 — À propos de Nice, la suite ("Nice, Very Nice")
- 1994 — Boom-Boom (Cotrometraje)
- 1994 —Tous les garçons et les filles de leur âge... (TV Series) (1 episode)- US Go Home (1994)
- 1994 — I Can't Sleep
- 1994 — Cinéma, de notre temps (Serie TV) (1 episodio)
- Jacques Rivette - Le veilleur (1994)
- 1993 — Monologues (Serie TV) (1 episodio)
- La robe à cerceau
- 1991 — Figaro Stories ("Keep It for Yourself")
- 1991 — Keep It for Yourself (Cortrometraje)
- 1991 — Lest We Forget (segment "Pour Ushari Ahmed Mahmoud, Soudan")
- 1990 — No Fear, No Die
- 1989 — Man No Run
- 1988 — Chocolat
Festivales y Premios
- 2018 Festival de Cine de Toronto
- 2018 Festival de Cine de San Sebastián: Premio FIPRESCI
- 2018 Festival de Cine de Zurich
- 2018 Festival Internacional de Cine y Video de Atenas
- 2018 Festival de Cine de Nueva York
- 2018 Festival Internacional de Cine de Busan
- 2018 Festival de Cine Sitges
- 2018 Festival de Cine de Colonia
- 2018 Festival de Cine de yon Lumière
- 2018 Festival de Cine de Ghent: Premio a mejor música
- 2018 Festival Internacional de Cine La Roche-sur-Yon
- 2018 Festival de Cine de Warsaw
- 2018 Festival de Cine de Mumbai
- 2018 Festival de Cine Americano
- 2018 VIENNALE
- 2018 Festival de Cine de Gijon
- 2018 Festival Internacional de Cine de Minsk
- 2018 Festival Internacional de Cine de Ljubljana
- 2018 Festival de Cine Taipei Golden Horse
- 2018 Festival de Cine de Lisboa y Santra
- 2018 Festival de Cine Shivers
- 2018 Festival de Cine de Torino
- 2018 Festival de Cine de Cartagena
- 2019 Festival de Cine Tournai Ram Dam
- 2019 Festival de Cine de Gotemburgo
- 2019 Festival Internacional de Cine de Rotterdam
- 2019 Festival de Cine Europeo
- 2019 Festival Internacional de Cine de Vilnius
- 2019 Festival de Cine Francés
- 2019 Festival de Cine de Estambul
- 2019 Festival de Cine Gold Coast
- 2019 Festival de Cine de Sidney
- 2019 Festival de Cine Midnight Sun
- 2019 Festival de Cine de Jerusalén
Indiewire Critics' Poll: Premio ICP
Notas
“As with so many of Denis’ films, the point is to contrive an overwhelmingly powerful mood and moment, an almost physiological sensation, this one incubated in the vast, cold reaches of space.”
–Peter Bradshaw: The Guardian
“The vastness of space is such a natural fit for the free-floating narratives of Claire Denis, it’s a wonder she hasn’t embraced sci-fi before now.”
–Peter Howell: Toronto Star
“To the french director, Claire Denis, is never enough to just thread the narrative lines that push us to contemplations (…) but also she transgredes and reformulates the principles and believes in which her dignity is posed.”
–Jesús Chavarría: La Razón
“Any chance at trying to define High Life is futile: there is no science fiction film this critic remembers that shows and is so midnful of bodly fluids –semen, blood, and tears– as well as a newborn’s cry, as if the universe’s enigmas–In this black hole–were, actually, the enigmas of the body.”
–Sergi Sánchez: Fotogramas
“As with so many of Denis’ films, the point is to contrive an overwhelmingly powerful mood and moment, an almost physiological sensation, this one incubated in the vast, cold reaches of space.”
–Peter Bradshaw: The Guardian
“The vastness of space is such a natural fit for the free-floating narratives of Claire Denis, it’s a wonder she hasn’t embraced sci-fi before now.”
–Peter Howell: Toronto Star
“To the french director, Claire Denis, is never enough to just thread the narrative lines that push us to contemplations (…) but also she transgredes and reformulates the principles and believes in which her dignity is posed.”
–Jesús Chavarría: La Razón
“Any chance at trying to define High Life is futile: there is no science fiction film this critic remembers that shows and is so midnful of bodly fluids –semen, blood, and tears– as well as a newborn’s cry, as if the universe’s enigmas–In this black hole–were, actually, the enigmas of the body.”
–Sergi Sánchez: Fotogramas
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