“The director has plenty of influences, Stanley Kubrick and Old Hollywood classicists such as John Ford among them. But his style is his own: exacting, but dreamlike.”
– Michael Phillips: Chicago Tribune
“Even within the context of such unevenness, Costa’s commitment to chronicling and implicitly dignifying the sufferings of the oppressed and the exploited provides Horse Money with a solid core.”
– Neil Young: Hollywood Reporter
“One of the most impressive accomplishments of Costa’s career.”
– Jordan Cronk: Little White Lies